About the Original:
The Portrait of Agnolo Doni is an oil painting on wood by Italian Renaissance master Raphael, executed around 1506. Currently housed in the Uffizi Gallery in Florence, this portrait is one half of a pair depicting the recently married merchant Agnolo Doni and his wife, Maddalena Strozzi. Agnolo Doni married Maddalena in 1503, but Raphael's portraits were likely created in 1506, a time when Raphael was heavily influenced by Leonardo da Vinci's art. The composition of these portraits mirrors that of the Mona Lisa, with the figures similarly positioned in relation to the picture plane and their hands resting atop each other. The low horizon of the landscape background in Raphael's work allows for a detailed study of the human figure, with uniform light defining surfaces and volumes. This differs from Leonardo's portraits, where dramatic landscapes suggest the powerful presence of nature.

A distinctive feature of Raphael's portraits is their pervasive sense of serenity, which remains undisturbed by the meticulous depiction of clothing and jewelry that highlight the subjects' wealth. Every element, even those of secondary importance, contributes to a precise balance. These works, connected by both the subjects' relationship and their stylistic unity, signify the onset of Raphael's artistic maturity.

Details:
Artist: After Raphael
Title: Portrait of Agnolo Doni
Date: Ca. early 20th century
Medium: Oil on canvas
Dimensions: Sight 23.5 x 17.75 in; Frame 35.5 x 29.5 in
Condition Report: Overall good condition.

Description:
This piece is a homage to Raphael's original masterpiece. The artist focused exclusively on the portrait of Agnolo Doni, omitting the bust and the landscape background of the original. By doing so, the artist concentrated on capturing the expression of the model, leaving a dark, neutral background that frames the portrait. This modification enhances the focus on the figure's serene and composed demeanor, echoing the stylistic qualities of Raphael while offering a modern interpretation.