The Girl Who Loves to Laugh II
Xinlin Jiang
Artwork Details
Artwork Description
Title: The Girl Who Loves to Laugh II
Artist: Xinlin Jiang
Date: 2012
Medium: Oil on canvas
Dimensions: 44.3 × 21.7 in (112.5 × 55 cm)
1. Artwork Identification
In The Girl Who Loves to Laugh II, Xinlin Jiang presents a joyous and candid portrait of a young girl caught in a moment of spontaneous giggling. With her hands covering her mouth and eyes squeezed shut from laughter, she radiates warmth and unfiltered delight. The thick, painterly background isolates the figure, amplifying her vibrant red clothing and emotional energy.
2. Artistic Style and Influences
Executed in Jiang’s signature realist-impressionist hybrid style, the piece fuses expressive brushwork with lifelike characterization. The vibrant reds, dynamic strokes, and energetic figure-ground contrast reflect a contemporary approach rooted in classical training. Influences from Chinese academic realism and European colorism are apparent in the textured treatment of the girl’s clothes and emotional immediacy.
3. Historical Context
Painted in 2012, this work continues Jiang’s exploration of everyday life in rural China. This second interpretation of the laughing girl motif underscores his dedication to capturing fleeting childhood moments in regions less affected by modern urban life. The unposed expression reflects an intimate encounter, imbuing the work with both personal and cultural resonance.
4. Provenance
Provenance documentation can be provided upon contact.
5. Condition and Conservation
The artwork is in very good condition, showing excellent surface integrity, vibrant coloration, and no evidence of restoration or damage. It has been professionally preserved and is suitable for both exhibition and collection.
6. Artistic Significance
The Girl Who Loves to Laugh II stands out as a deeply humanistic work in Jiang’s oeuvre. The subject’s uninhibited expression and bold palette invite an emotional response while highlighting the universality of childhood joy. This piece is a fine example of contemporary figurative painting from China, offering both narrative and aesthetic value to collectors and curators alike.