Untitled
YangWenbin
Artwork Details
Artwork Description
Title: Untitled 1–5 (from a series of 15)
Artist: Ieong Man Pan
Date: 2016
Medium: Giclée print
Dimensions: 13.8 x 13.8 in. (35 x 35 cm each)
1. Artwork Identification
This series of five giclée prints by Ieong Man Pan features intricately composed circular images that resemble natural formations—clusters of volcanic rock or coral—upon closer inspection revealing a mesmerizing mosaic of photographic detail. Rendered with hyper-precision and microscopic complexity, the works suggest both cellular structures and aerial topographies, inviting a meditative inspection of surface and space. Each image in this limited edition (8/15) is printed with archival-quality inks on premium paper and presented in a white frame, enhancing the pristine and scientific visual effect.
2. Artistic Style and Influences
Ieong Man Pan’s work bridges the realms of macro-photography and abstraction. These images are representative of his distinctive style that fuses digital precision with organic form. Evoking affinities with photomicrography, the compositions recall the scientific surrealism of artists like Hiroshi Sugimoto and the formal discipline of Bernd and Hilla Becher. By stripping context and emphasizing pattern, Pan’s visual language elevates the mundane into the monumental.
3. Historical Context
Ieong Man Pan discovered photography during his advertising studies at Jinan University, initially approaching the medium from a utilitarian standpoint. His artistic awakening came post-graduation, during his time in commercial photography, where daily practice and exposure to professional peers ignited a deeper interest. He later pursued a master's degree in photography at Chongqing University, where he honed the conceptual and aesthetic framework evident in these works. Created in 2016, this series reflects a period of technical mastery and creative maturity in Pan’s evolving artistic trajectory.
4. Provenance
Provenance documentation can be provided upon contact.
5. Condition and Conservation
All five prints are in very good condition, with no visible signs of fading, foxing, or damage to the surface or frame. The corners are protected with archival packaging, and each piece has been stored and presented under optimal conservation standards.
6. Artistic Significance
This series exemplifies Ieong Man Pan’s commitment to visual inquiry through digital media, positioning him within the broader contemporary discourse of post-photographic image-making. His works, though relatively scarce in the market, are gaining recognition in East Asian photographic circles and have drawn increasing attention in academic and curatorial contexts for their fusion of technical rigor and poetic abstraction. As editions of 15, these prints offer a compelling opportunity for collectors seeking innovative photographic works at the intersection of art and science.