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Alois Wierer 'Path in the Countryside''
Title: Alois Wierer, ''Path in the Countryside''
Artist: Alois Wierer (1878 - 1963)
Medium: Gouache and Oil on mounted paper
Dimensions: The artwork measures approximately 8.86 x 7.87 inches (22.5 x 20 cm), offering a charming and intimate view of the countryside.
Signature: This beautiful painting is signed by the artist in the lower right corner, authenticating its origin and artistic merit.
Condition Report: The artwork is in good condition overall, with vibrant colors and no visible tears or damage. However, please note that the frame shows signs of wear and scratches. Despite this, the painting remains well-preserved and ready to be displayed and admired.
Alois Wierer (January 2, 1878 – May 1945, Prague) was a Czech-German painter and graphic artist.
Life: Between 1902 and 1904, Wierer studied under Franz Thiele at the Academy of Fine Arts in Prague. In his youth, he embraced a bohemian lifestyle and formed close friendships, notably with the sculptor Ludvík Herzl. His surviving correspondence reveals his proficiency in Czech. Residing in the Old Town of Prague, he married Emila Prokopová-Wierer, a Prague woman of Czech-German origin. The couple lived on the street along the Olšanské hřbitový, where Wierer maintained his studio.
Despite the Wierers' lack of nationalist affiliations, in May 1945, the Volunteer Revolutionary Guards apprehended Wierer, aged 67, dragging him to a concentration camp, where he succumbed to heart failure within three days. His German nationality was sufficient cause for his detention. Emila Prokopová-Wierer was not imprisoned, but she faced eviction from their Vinohrady apartment, theft of paintings, and destruction of the studio. Emila relocated to Munich. Wierer's fate remained officially undisclosed during the prior regime (1948–1989), with information about him primarily sourced by the staff of the Jewish Museum in Prague, drawn by his alleged Jewish heritage.
Work: Wierer possessed a unique affinity for the enchanting Kishkov-Meyrink atmosphere of the Prague Ghetto, producing a cycle of paintings around 1910. Notable works include the genre double portrait "Old Husbands," acquired by the Modern Gallery of the Czech Kingdom in 1910, and a 1916 painting capturing the evening view of the Old Synagogue and Jewish Town Hall, showcasing Expressionist influences.
Considered Wierer's most artistically intriguing period, the years 1904–1916 reflected his expressive style. Post-1918, his work shifted towards catering to the tastes of Prague's Germans, adopting the "Third Rococo" style with fairy-tale scenes depicting life in the castle, reminiscent of the Biedermeier era. Wierer also contributed to the German Theatre, and postcards featuring reproductions of his paintings gained popularity.
Book and Magazine Illustrations:
- He illustrated Emil Zola's novel "Zabiják" (In Prague, Josef R. Vilímek, 1908?).
- In 1940, he provided illustrations for the edition of Božena Němcová's "Babička" (Ústřední učítelské nakladatelství a knihkupectví, Prague, 1940).
- From 1908 to 1921, he contributed to the magazine "Humoristice listy" and also contributed to "Malý četáné" in 1926-1927.
Description:
"Path in the Countryside" brings to life a serene scene of a walker and a cart traversing a scenic path, capturing the beauty and tranquility of rural life.
Alois Wierer, a talented artist known for his exquisite landscapes, has skillfully captured the essence of rural life in this charming artwork. His attention to detail and use of gouache and oil mediums create a sense of depth and realism that draws the viewer into the tranquil countryside setting.
Perfect for art collectors and enthusiasts, this unique piece by Alois Wierer will add a touch of countryside charm to any art collection or interior decor.
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