Artwork Description

Title: From Shore to Shore Seven
Artist: Yijian Wang
Date: 2014
Medium: Oil on canvas
Dimensions: 23.62 × 43.31 in (60 × 110 cm)

1. Artwork Identification
From Shore to Shore Seven by Yijian Wang is an oil on canvas painting measuring 60 × 110 cm. The composition features an abstract yet organic form positioned near the top of the canvas, connected by a thin, elongated line to a cluster of bare tree branches at the bottom. The contrasting elements—floating form above and rooted branches below—suggest an interplay between groundedness and suspension.

2. Artistic Style and Influences
The painting blends elements of abstraction and surrealism, emphasizing conceptual rather than representational clarity. Wang’s visual language recalls aspects of biomorphic abstraction seen in the works of artists such as Yves Tanguy or Joan Miró, while incorporating a minimalist sensibility that foregrounds negative space and line. This stylistic fusion points to a deliberate exploration of symbolic relationships rather than narrative depiction.

3. Historical Context
Created in 2014, the piece reflects contemporary Chinese artists’ engagement with existential themes and transnational visual vocabularies. The Title:, “From Shore to Shore,” evokes notions of migration, transition, and interconnectedness—concepts resonant within global dialogues on identity and belonging during the early 21st century. Wang’s work sits within a broader artistic movement emphasizing the metaphoric potential of abstract forms in a period of cultural and geopolitical transformation.

4. Provenance and Authenticity
Please contact the gallery directly for provenance information and certificates of authenticity.

5. Condition and Conservation
The painting is reported to be in stable condition with no evidence of paint loss, craquelure, or surface abrasion. Standard conservation measures—controlled humidity and light exposure—are recommended to preserve pigment vibrancy.

6. Artistic Significance
This work exemplifies Yijian Wang’s interest in the interplay between organic forms and conceptual depth, positioning him within a lineage of modern abstraction that remains sensitive to cultural metaphor. The composition’s minimalism combined with its symbolic resonance enhances its scholarly and curatorial significance.