Artwork Description

Title:10.8314
Artist: Zhirou Chen
Date: 2010
Medium: Oil on canvas
Dimensions: 22.83 x 17.52 in (58 x 44.5 cm)

Artwork Identification
10.8314 Untitled is an abstract oil painting by Zhirou Chen, notable for its strong textural surface and dynamic brushwork. The composition is dominated by earthy tones—rich oranges, deep browns, and dark greys—blended in a layered application that suggests a sense of depth and movement without adhering to figurative representation.

Artistic Style and Influences
The work aligns with the tenets of Abstract Expressionism and modern Chinese abstraction, where emphasis is placed on gesture, materiality, and the emotional resonance of color. Chen’s approach combines Western painterly abstraction with an Eastern sense of rhythm and balance, echoing elements found in the works of Zao Wou-Ki and other mid-20th-century innovators who merged global modernism with Chinese aesthetics.

Historical Context
Painted in 2010, this piece reflects a period when Chinese contemporary art increasingly embraced abstraction as a mode of individual expression, diverging from both academic realism and overtly political art of previous decades. Artists like Chen explored the interplay between tradition and innovation, producing works that resonated within a global discourse on modernism while maintaining cultural identity.

Provenance and Authenticity
For detailed provenance and authentication documents, please contact the gallery directly.

Condition and Conservation
The work appears to be in very good condition. No visible paint loss, surface abrasions, or structural concerns are noted. The textured surface should be handled with care to avoid impasto damage. Preventive conservation includes controlled climate conditions and avoidance of direct UV light.

Artistic Significance
This painting exemplifies Chen’s mastery in creating atmospheric depth and emotional charge through abstraction. Its nuanced layering and tactile brushwork evoke natural forces without literal depiction, allowing viewers to engage through interpretation and feeling. As part of Chen’s abstract series, the piece holds significance for collectors seeking works that articulate a modern synthesis of East-West artistic dialogues.