Colour Wheel
Yan Lei
Artwork Details
Artwork Description
SHAOLI CHEN
Summer, n.d.
ink and watercolour on paper
70 x 70 cm (27.6 x 27.6 in)
The present work depicts a relaxed, sun-drenched interlude shared between two young women, positioned within a landscape of expressive rock formations and stylised summer foliage. Shaoli Chen constructs the composition with an emphasis on ease and immediacy, allowing the figures to occupy the pictorial space with an unforced, contemporary informality that aligns with the seasonal atmosphere suggested by the title.
Both figures are rendered in light, casual attire—shorts, striped shirts, and sandals—details that reinforce the work’s sense of modern leisure and understated style. Their relaxed postures and unguarded presence introduce a conversational quality to the scene, while the surrounding landscape, articulated through fluid washes and rhythmic brushwork, provides a structural and atmospheric counterpoint.
Chen’s technique demonstrates a sustained dialogue between traditional Chinese ink painting and contemporary figuration. The natural elements are built through expressive, calligraphic handling of ink and watercolour, while the figures are defined with greater clarity and visual specificity. This contrast underscores the artist’s broader approach, in which classical pictorial methods are reconfigured to accommodate present-day subject matter and sensibilities.
Within the context of contemporary Chinese art, the work reflects evolving social aesthetics shaped by urbanisation and shifting generational identity. The emphasis on leisure, simplicity, and stylistic self-presentation speaks to a cultural moment in which youth culture negotiates between inherited visual traditions and the imagery of global modernity.
Shaoli Chen’s role as a professor at Nanjing University of the Arts further situates his practice within both pedagogical and artistic frameworks, with works such as Summer operating as part of a broader visual reflection on changing social and aesthetic values. The painting distils these concerns into a cohesive and atmospheric composition, in which figural intimacy and landscape tradition are held in careful balance.