"Silk Iris n°136/900" is an exquisite piece of art that embodies elegance and sophistication. Created by an artist with a keen eye for detail and a mastery of their craft, this artwork is a testament to the fusion of artistic creativity and precision. The edition number, "n°136/900," suggests that this artwork is part of a limited series, making it a unique and collectible piece of art. 

At the heart of this composition lies the delicate beauty of the iris flower. The artist has chosen to focus on this timeless symbol of purity and grace, rendering it with meticulous attention to detail. Each petal appears to have been delicately painted with the utmost care, showcasing the artist's dedication to capturing the flower's natural intricacies. The title, "Silk Iris," hints at the texture and softness that the artist has expertly conveyed. The petals seem to possess a velvety quality, inviting viewers to imagine reaching out to touch their softness. This tactile sensation adds an extra layer of depth to the artwork, making it feel almost tangible.

"Silk Iris n°136/900" is a visual ode to the beauty of nature and a testament to the artist's ability to capture that beauty with precision and artistry. It is an artwork that invites contemplation, appreciation, and a sense of serenity, making it a cherished addition to any art collection.

Details:
Artist: Alicia Perez Penalba 
Title: "Silk Iris n ° 136/900"
Dimensions: 58 x 50 and 87 x 83 cm
Condition Report: Overall fair condition, the back of the frame is coming loose.
Signature and Number: Lower right; on the back.

About the Artist:
Alicia Rosario Pérez Penalba was born on August 9th, 1913, in San Pedro, Buenos Aires. Her parents, Santiago Pérez and Remedios Penalba, were Spaniards. Her father's job with Ferrocariles Argentinos led the family to travel across the Cuyo region, Patagonia, and Chile. The varied landscapes of these regions significantly influenced her sculptural work.

At 15, Alicia sought to study art in Buenos Aires and escape her father's control. She wrote to the governor of San Juan Province for a scholarship. Although the scholarship was unavailable, he recommended her for a job at the Vital Records Office, marking the beginning of her independence. Her father's severity instilled in her a strong determination. After her sibling's tragic suicide, Alicia resolved to pursue independence and creative freedom. In 1930, she entered the School of Fine Arts in Buenos Aires, graduating as a professor of drawing and painting and winning several national awards. She signed her works with her mother’s surname, Penalba.

In 1948, she received a French government grant and moved to Paris, enrolling at the School of Fine Arts. She studied under Russian sculptor Ossip Zadkine and interacted with avant-garde artists like Hans Arp, Brancusi, and Giacometti. Her first abstract sculpture emerged in 1951, leading her to destroy most of her earlier works.

By 1953, she developed vertical bronze abstract sculptures, notably Totems and Plant Liturgies. These sculptures often featured a concavity symbolizing life and protection. Her experiences with jungles and European Gothic cathedrals also influenced her work. Her first solo exhibition was in 1957.

In the late 1950s, her style evolved, incorporating light and creating sculptures for architecture. She received the International Grand Prize in Sculpture at the 1961 São Paulo Biennale. Exhibitions of her work expanded globally, and her sculptures became part of significant collections. In the 1960s, she created monumental works and experimented with various forms and materials. Her 1968 retrospective at the Musée d’Art Moderne de la Ville de Paris solidified her international recognition. She continued creating monumental works and experimenting with different mediums throughout the 1970s.

Penalba’s legacy is marked by her unique abstract forms and her ability to convey profound themes through her sculptures.