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Ellen Louise Clacy, 'Portrait Of A Young Girl 1875'
$500.00 USD
Ellen Louise Clacy: Portrait of a Young Girl 1875 - Watercolour on Paper
Ellen Louise Clacy's "Portrait of a Young Girl 1875" is a captivating depiction that showcases the artist's remarkable talent for capturing emotion and texture in her watercolor works. The portrait offers viewers a glimpse into the subject's inner world, skillfully conveyed through her expressive features and the interplay of color and light.
Details:
Artist: Ellen Louise Clacy
Title: "Portrait of a Young Girl"
Date: 1875
Medium: Watercolour on Paper
Dimensions: 23.5 x 15 cm
Description:
Ellen Louise Clacy's "Portrait of a Young Girl" is a masterful portrayal that goes beyond mere representation. The full-figure portrait exudes an air of melancholy and introspection, capturing a fleeting moment of the young girl's emotions. The subject stands in festive attire, her semi-profile angle allowing viewers to connect with her contemplative gaze. The artist's delicate brushwork and subtle use of color create a nuanced interplay between warm and cool tones, heightening the emotional depth of the composition.
The drapery that envelops the background and adorns the girl's dress adds a layer of textural richness to the artwork. This choice not only enhances the visual aesthetics but also establishes a harmonious chromatic contrast. The cooler dominant tones of the background and dress juxtaposed with the warmer tones of the girl's skin create a dynamic visual tension, guiding the viewer's eye with a sense of purpose.
The artist's command over watercolor is evident in the meticulous rendering of details, from the intricate folds of the drapery to the subtle play of light and shadow on the girl's features. Clacy's ability to convey emotion through her brushwork is a testament to her skillful craftsmanship and artistic sensibility.
Condition Report:
The artwork is in overall good condition, preserving its delicate watercolor execution and emotive qualities. The paper remains well-preserved, and the watercolor pigments retain their vibrancy, allowing viewers to appreciate the artwork as intended by the artist.
About the Artist:
llen Louise Clacy (1853–1916) stands as a notable British watercolorist who left an indelible mark on the artistic world. Throughout her career from 1870 to 1916, she graced the halls of the Royal Academy with her creations on numerous occasions. Her artistic oeuvre spanned a wide spectrum, encompassing breathtaking landscapes, evocative scenes of rural life, and even narrative-driven history paintings. Interestingly, her creative lineage was intertwined with the realm of travel writing, as she was the daughter of none other than Ellen Louise Clacy, the accomplished travel writer.
Early Life
Born amidst a voyage from Australia to England in 1853, Ellen Louise Clacy's entry into the world was as unique as her talent. Her mother, the esteemed author Ellen Clacy (1830–1901), brought her forth into this world during a nautical journey. Ellen Clacy Sr., formerly Ellen Sturmer, wedded Charles Berry Clacy, a mining engineer, in 1854. The couple resided in England, where Ellen Clacy Sr. embarked on a literary journey of her own. Writing novels, articles for newspapers and magazines, and captivating travel narratives under the pen name "Cycla," she etched her name into the annals of literature. One of her most renowned works was an account detailing her experiences amidst the Australian gold mines, titled "A Lady's Visit to the Gold Diggings of Australia" from 1852 to 1853. By 1871, she was identifying herself as a widow. Ellen Louise Clacy, the younger, would later follow her own creative path, blossoming as a professional artist in the 1870s.
Career
Clacy's artistic journey unfolded against the backdrop of exhibitions at esteemed institutions like the Royal Watercolour Society and the Society of British Artists. The Royal Academy, a cornerstone of the art world, showcased Clacy's talents no less than twenty-seven times between 1872 and 1900. Her works, often born from her independent sojourns into the countryside, reflected a profound connection to nature and her surroundings. One notable piece, "Will Myers, Ratcatcher and Poacher," unveiled at the Royal Academy in 1885, was brought to life during a trip "up North," where Clacy transformed a local carpenter's shop into her artistic canvas.
Art historian Deborah Cherry delved into Clacy's creations, particularly her depictions of rural and northern life. Cherry's analysis unveiled Clacy's art as the embodiment of a metropolitan tourist's response to unfamiliar territories. Clacy's own voyages left an indelible mark on her works, evident in pieces exhibited at the Liverpool Academy. Notable among them were "The Vagrant," showcased in 1876 with poignant lines capturing the essence of the wandering spirit, and "Wither," unveiled in 1890, both encapsulating female travelers immersed in the picturesque countryside.
In 1880, the Walker Art Gallery proudly showcased "Flight," a masterpiece that carried a £50 price tag, and was lauded by The Academy's weekly review as a "very charming evening landscape." The enchanting allure of "The Old Poacher" (1885) led to its acquisition by the Walker Art Gallery in 1886 from the Liverpool Autumn Exhibition, finding its forever home within the gallery's permanent collection. The year 1886 also saw Clacy's artistry shine with "The Cry from the Snowdrift" at the Royal Academy, earning accolades for its meticulous craftsmanship from the pages of Truth.
Ellen Louise Clacy's legacy remains a testament to the fusion of artistic prowess and a life steeped in exploration. Through her brush strokes, she crafted a visual narrative that spoke of landscapes, life, and the stories they held.
Ellen Louise Clacy's "Portrait of a Young Girl 1875" is a captivating depiction that showcases the artist's remarkable talent for capturing emotion and texture in her watercolor works. The portrait offers viewers a glimpse into the subject's inner world, skillfully conveyed through her expressive features and the interplay of color and light.
Details:
Artist: Ellen Louise Clacy
Title: "Portrait of a Young Girl"
Date: 1875
Medium: Watercolour on Paper
Dimensions: 23.5 x 15 cm
Description:
Ellen Louise Clacy's "Portrait of a Young Girl" is a masterful portrayal that goes beyond mere representation. The full-figure portrait exudes an air of melancholy and introspection, capturing a fleeting moment of the young girl's emotions. The subject stands in festive attire, her semi-profile angle allowing viewers to connect with her contemplative gaze. The artist's delicate brushwork and subtle use of color create a nuanced interplay between warm and cool tones, heightening the emotional depth of the composition.
The drapery that envelops the background and adorns the girl's dress adds a layer of textural richness to the artwork. This choice not only enhances the visual aesthetics but also establishes a harmonious chromatic contrast. The cooler dominant tones of the background and dress juxtaposed with the warmer tones of the girl's skin create a dynamic visual tension, guiding the viewer's eye with a sense of purpose.
The artist's command over watercolor is evident in the meticulous rendering of details, from the intricate folds of the drapery to the subtle play of light and shadow on the girl's features. Clacy's ability to convey emotion through her brushwork is a testament to her skillful craftsmanship and artistic sensibility.
Condition Report:
The artwork is in overall good condition, preserving its delicate watercolor execution and emotive qualities. The paper remains well-preserved, and the watercolor pigments retain their vibrancy, allowing viewers to appreciate the artwork as intended by the artist.
About the Artist:
llen Louise Clacy (1853–1916) stands as a notable British watercolorist who left an indelible mark on the artistic world. Throughout her career from 1870 to 1916, she graced the halls of the Royal Academy with her creations on numerous occasions. Her artistic oeuvre spanned a wide spectrum, encompassing breathtaking landscapes, evocative scenes of rural life, and even narrative-driven history paintings. Interestingly, her creative lineage was intertwined with the realm of travel writing, as she was the daughter of none other than Ellen Louise Clacy, the accomplished travel writer.
Early Life
Born amidst a voyage from Australia to England in 1853, Ellen Louise Clacy's entry into the world was as unique as her talent. Her mother, the esteemed author Ellen Clacy (1830–1901), brought her forth into this world during a nautical journey. Ellen Clacy Sr., formerly Ellen Sturmer, wedded Charles Berry Clacy, a mining engineer, in 1854. The couple resided in England, where Ellen Clacy Sr. embarked on a literary journey of her own. Writing novels, articles for newspapers and magazines, and captivating travel narratives under the pen name "Cycla," she etched her name into the annals of literature. One of her most renowned works was an account detailing her experiences amidst the Australian gold mines, titled "A Lady's Visit to the Gold Diggings of Australia" from 1852 to 1853. By 1871, she was identifying herself as a widow. Ellen Louise Clacy, the younger, would later follow her own creative path, blossoming as a professional artist in the 1870s.
Career
Clacy's artistic journey unfolded against the backdrop of exhibitions at esteemed institutions like the Royal Watercolour Society and the Society of British Artists. The Royal Academy, a cornerstone of the art world, showcased Clacy's talents no less than twenty-seven times between 1872 and 1900. Her works, often born from her independent sojourns into the countryside, reflected a profound connection to nature and her surroundings. One notable piece, "Will Myers, Ratcatcher and Poacher," unveiled at the Royal Academy in 1885, was brought to life during a trip "up North," where Clacy transformed a local carpenter's shop into her artistic canvas.
Art historian Deborah Cherry delved into Clacy's creations, particularly her depictions of rural and northern life. Cherry's analysis unveiled Clacy's art as the embodiment of a metropolitan tourist's response to unfamiliar territories. Clacy's own voyages left an indelible mark on her works, evident in pieces exhibited at the Liverpool Academy. Notable among them were "The Vagrant," showcased in 1876 with poignant lines capturing the essence of the wandering spirit, and "Wither," unveiled in 1890, both encapsulating female travelers immersed in the picturesque countryside.
In 1880, the Walker Art Gallery proudly showcased "Flight," a masterpiece that carried a £50 price tag, and was lauded by The Academy's weekly review as a "very charming evening landscape." The enchanting allure of "The Old Poacher" (1885) led to its acquisition by the Walker Art Gallery in 1886 from the Liverpool Autumn Exhibition, finding its forever home within the gallery's permanent collection. The year 1886 also saw Clacy's artistry shine with "The Cry from the Snowdrift" at the Royal Academy, earning accolades for its meticulous craftsmanship from the pages of Truth.
Ellen Louise Clacy's legacy remains a testament to the fusion of artistic prowess and a life steeped in exploration. Through her brush strokes, she crafted a visual narrative that spoke of landscapes, life, and the stories they held.
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